MDPE.16:4.1 - Dance movement generation: different fidelity can preserve different value

Chédin et al. report iterative work with Voguing and Dancehall connoisseurs involving repertoire curation and capture, model and interface variants, dancer improvisation with generated movement, structured comparison, and return to model design. In that setting, high- and low-fidelity outputs could each be useful while a middling compromise was rejected.

The source does not establish that either branch remains available after the study. A new project can call a branch live only after identifying the model or movement material, permitted source use, capable dancers, usable interface and configuration, and a representative improvisation or reconstruction check. Stored outputs without those conditions are archive or reconstruction inputs, not a live repertoire.