MDPE.18:4.1 - Dance: a Tarraxo workshop attributes claims without inventing a complete genealogy
A festival workshop team must choose an attribution note and a small set of movement and partnering distinctions to trial. Current practitioner sources do not support a complete Tarraxo genealogy.
| Source and retained part | Supported claim | Limit | Decision use |
|---|---|---|---|
| Tarraxo Agency home page, checked 2026-08-25 | The organization describes development and promotion of Tarraxo projects, artists, festivals, workshops, and performances. | Self-description; no independent origin, prevalence, effectiveness, or continuation result. | Describe the organization and event line as its own claim. |
| Gwany and Liliana practitioner profile, checked 2026-08-25 | The profile attributes creation to Gwany, dates the partnership, and reports teacher-training Work. | Source-attributed creator and training claims, not adjudicated sole origin. | Credit the claim to the profile rather than state it as complete history. |
| TOCA Method page, checked 2026-08-25 | One teaching MethodDescription emphasizes touch, observation, control, awareness, connection, musicality, drills, isolation, and placement. | Commercial practitioner source; no proof of effectiveness, receiving capability, or universal Tarraxo essence. | Select these distinctions for a bounded teaching trial. |
Angolan antecedents, predecessor relations, independent corroboration, and current receiving capability remain open. The workshop can publish the qualified note and test the selected Method. MDPE.17 becomes current only when receiving enactment or source contribution is the next question.