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MDPE.1:6 - Sources and Epistemic Boundaries

Practice or source lineContribution used hereBoundary
American Composers Forum, Anatomy of a Commission and Sample Deal MemoDirect commissioning practice for a selected new concert work.It rejects one-size-fits-all use and does not settle practice or medium framing.
Common Ground Manual 2024Participatory Dance co-creation with shared direction, participant voice, named contributions, access, discussion, and revision.One bounded human participatory-Dance Method is not universal for solo, robotic, AI, hybrid, or other Music-and-Dance projects.
Renata Peçanha interview, ZoukologyOne practitioner account of deliberate practice change and continuity.It is not independent whole-field evidence of origin, prevalence, recognition, or effectiveness.
Holly Herndon and Mat Dryhurst, The Call, SerpentineA joined medium-and-practice case with several distinct world-side and projective subjects.It supplies no general AI-art Method or later retention claim.
Pavel Sobiray, Street Tango ConceptProjective practice design plus bounded teaching and participant evidence.The creator source does not establish whole-field recognition, superiority, or long-term retention.

The four-subject distinction is a source-informed engineering judgement. Reopen it when a direct Method supplies the same project decision with less burden or when repeated use reveals another independent subject whose omission changes project commitment.