Library / Music and Dance Practice Engineering Principles Framework
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MDPE.21:2.4 - Develop several architecture candidates

Do not let the first plausible intervention define the architecture. Develop materially different candidates. For example:

Candidate emphasisChange consideredWhat it may reveal
Capability-firstChange drills, embodied correction, listening practice, rehearsal, or ensemble training.Whether performers can enact the distinction in representative Work.
Recognition-firstChange examples, comparison tasks, partner cues, judging or curation, and how learner, partner, listener, judge, or curator observations are used in later teaching or selection.Whether a relied-on Agent can discriminate the distinction and use that observation in the next Work.
Transmission-firstChange teaching, joint practice, notation, demonstrations, recordings, or reconstruction tasks.Whether another Agent can reproduce and adapt the practice rather than copy one artifact.
Circulation-and-memory-firstChange event recurrence, repertoire, archives, publishing form, access, or retrieval.Whether later Work can recover the practice under changed people, places, or media.
Medium-firstChange instrument, software, camera arrangement, platform, venue, or production System.Whether the support System enables the intended Work instead of selecting another result.
Coupled minimal changeChange two or more tightly linked relations whose separate repair would fail.Whether the joint change resolves a conflict that neither local repair can resolve alone.

These are candidate emphases, not prescribed kinds. A useful candidate states the Systems and Methods it changes, the Agents whose Work or capability is involved, the direct signal, contact, access, teaching-use, observation-use, selection, or other relations changed, the authority and consent needed, the expected effect, and the earliest observation that could defeat it.