Library / Music and Dance Practice Engineering Principles Framework
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Source changed 2026-10-03 07:42:37 UTC · snapshot created 2026-10-03 07:43:27 UTC · last check 2026-10-03 07:55:10 UTC

MDPE.6:0.1 - Working Distinctions

NameMeaning here
source resultThe identified material, Method, MethodDescription, arrangement, teaching result, performing configuration, or other direct Music-or-Dance result being considered. Keep its actual kind.
receiving conditionsThe bodies, instruments, partners, media, places, participants, capabilities, constraints, and intended use under which the result may now be used.
use as obtainedUse the identified result without changing the decision-bearing subject or relation. Later enactment can still require authorization and planning.
revise before useSelect an already-described change to an identified subject or relation because the current result fails a receiving-use requirement that can be repaired.
branchKeep source and receiving variants separately because their differences matter and collapsing them would destroy useful information, capability fit, or later choice. State derivation; historical lineage requires separate evidence.
receiving-use decisionThe chooser’s current C.11 ChoiceResult. It selects an option or a next inquiry; it does not change the source result or receiving world.

Use narrow names—arranger, choreographer, teacher, dancer, musician, partner, performer, ensemble, project team—rather than replacing them with System. A technical System, instrument, robot, or AI service remains named when it is the actual changed subject or enabling element. The chooser is an Agent with enough agency to make the decision.