MDPE.6:8 - Rationale and Source Use
Agents perform Work that enacts direct Music, Dance, teaching, control, instrument-design, and Systems Engineering Methods to create or change their respective subjects. Current FPF already characterizes bearers and governs local choice. MDPE.6 adds the recurring Music-and-Dance construction of use as obtained, revise, and branch, together with a comparison over receiving fit, embodied or musical continuity, repairable failure, derivation, known loss, and preservation of useful alternatives.
| Source or maintained result | Use here | Boundary |
|---|---|---|
C.11 Decision Theory | Supplies the chooser, available option set, comparison basis, probe-worthiness decision, and ChoiceResult. | It does not construct the Music-or-Dance receiving-use options or domain comparison rule. |
C.17, C.11.CRC | Support characteristic and contribution comparisons needed by the choice. | Characterization does not choose, authorize, or perform use. |
| McCloskey et al., automatic arrangement for monophonic instruments | Supplies a direct Music Method with explicit preserved and changed score characteristics and a feasibility boundary. | It does not establish rehearsal, balance, timbre, performer capability, concert use, or cultural effect. |
| Stopgap, Inclusive Choreography | Supplies a direct Dance translation Method for Work that changes movement across physicalities while attending to effort, spine, focus, direction, rhythm, and detail. | It does not establish one universal material identity, transfer result, permission, or cultural continuation. |
| Drumming Arm study and JIZAI ARMS co-design | Supply direct engineering and equipped-performance boundaries. | Device or prototype results do not by themselves decide cross-condition use of musical or movement subjects. |
Reopen the decision when the source result, receiving condition, intended use, option set, must-condition, evidence, chooser, authority, permission, or probe value changes enough to alter the choice.