C.38:5.2 - A performance recording needs one usable artifact

A music project intends one bounded Music Work occurrence and a recording through which a later learner can recover the required timing and spatial relation. Before production, the project compares a local live-capture way, a specialist mobile-team way, and a venue-service way for that same result and use.

C.38 makes the three proposed ways answer the same fidelity, access, rights, setup, performer-interference, evidence, support, resource, and recovery questions. The comparison remains one standalone ordinary episteme and its finite set goes to C.11; neither result says that performance or recording Work has occurred. After a way is retained, unchanged MDPE.5 integrates the selected production and presentation inputs, tests the load-bearing artistic or participatory relation, and records the actual performed Work, artifact, and unresolved limits separately. C.38 absorbs none of that Work, artistic authority, publication, or rights decision.