fpf.tools
Library / Music and Dance Practice Engineering Principles Framework
Jump to passage
In this reading
Source · lines 2662–2674

Link to current text

Published source confirmed at last check

Source changed 2026-10-03 08:25:59 UTC · snapshot created 2026-10-03 08:26:43 UTC · last check 2026-10-03 09:20:09 UTC

MDPE.11:6 - Sources and Epistemic Boundaries

Source or maintained resultContribution used hereBoundary
FPF A.15.7 Situation-Responsive Work SteeringA bounded next-action choice from current facts while preserving domain Method, chooser, performer, authority, stop, and feedback.It supplies no Music or Dance material, performance Method, occurrence, or artifact choice.
FPF A.15.1 Work, A.2.1 assignment, and F.6 attributionA.15.1 governs dated Work, the performing Agent as a sufficiently agentic System, enacted Method, containing System, and direct result relations; A.2.1 governs a declared assignment species and obtaining occurrence; F.6 governs performed-Work attribution through that assignment.These results do not determine material, interpretation, occurrence, or presentation, and an assignment does not establish Work.
Live Coding: A User’s Manual and Algorave guidelinesRunning-code changes and improvisatory composition during performance; visible technical Systems and public conditions.The sources describe heterogeneous practice, not one universal Method or one local application.
Kloosterman and van Kempen, NDT production case; see also MDPE.5:4.2, Tell Your Mom You Love Your SkinPrepared choreography and production material, rehearsal integration, premiere, direct artifacts, review, and archive.One production does not supply a universal Dance interpretation Method or moment-by-moment account.
Shimon projectRobot-performed generation and marimba Work, with separate human-led engineering and practice development.The sources do not establish in-performance generation for every occurrence or robot-held cultural authority.
Timing examples in the Dance profile and the local Balboa casesContinuing carrier, audible onset, weight arrival, perceived rhythmic location, and partner-readable pressure.A design and observation basis, not a universal exercise order or completed capability result.

Use a direct field Method when it supplies the same result with less burden. Keep the material–Work distinctions that change the current action or evidence.