Library / Music and Dance Practice Engineering Principles Framework
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Source changed 2026-10-03 08:25:59 UTC · snapshot created 2026-10-03 08:26:43 UTC · last check 2026-10-03 08:35:10 UTC

MDPE.24:6 - Sources and Epistemic Boundaries

Source or practice lineContribution used hereBoundary
A.1 — Recognize a Whole with Parts and B.2 — Whole ReidentificationGeneral construction, identity, existing-whole comparison, and whole-reidentification requirements.They do not supply the Music-and-Dance candidate relations, observations, cases, or project consequences.
C.36 — Cultural Evolution and Cultural-Evolution EngineeringSeparation of local intervention, cultural relations, new-whole claims, mediation, and distributed change.A cultural-evolution case does not itself establish a new holon or authorize a project.
Music-and-Dance eco-evo-devo synthesis (unpublished source note)Candidate-level probes: states, memory, transitions, selection, temporal persistence, and downward effects; music, dance, camp, and platform cases.The transfer from multilevel-evolution models is a working hypothesis and does not replace FPF construction or kind criteria.
Vanchurin et al., Toward a theory of evolution as multilevel learningA mathematical and theoretical source for multiscale learning-like dynamics.A model scale, coarse-graining, or macrovariable is not by itself a world-side holon.
Czaplicka, Baumann, and Rahwan, algorithmic mediation and cumulative cultureA source for asking how algorithmic mediation changes cultural transmission and accumulation.A modelled mediator or observed influence does not establish that the platform, practice, or style is a new whole.

Reconsider the whole-reidentification decision if a domain study supplies a better discriminating observation. Use FPF and direct domain Methods when they already supply the complete result.