fpf.tools
Library / Music and Dance Practice Engineering Principles Framework
Jump to passage
In this reading
Source · lines 2817–2838

Link to current text

Published source confirmed at last check

Source changed 2026-10-03 08:25:59 UTC · snapshot created 2026-10-03 08:26:43 UTC · last check 2026-10-03 09:45:10 UTC

MDPE.5:2.5 - Perform the Music-or-Dance Work and state what actually became available

Perform under the direct domain Method and operate the chosen presentation arrangement. If conditions change during Work, use the applicable domain Method and bounded situation-responsive steering; do not turn the planned unfolding into a script that overrides present facts.

After the boundary, state separately:

  • the performed Music-or-Dance U.Work occurrence, performers, material or interpretation, and actual conditions;
  • the containing event or production relation, if it matters;
  • how intended participants or audience members could actually encounter or use the performed Work;
  • direct artifacts such as recordings, programme items, photographs, code states, or sensor traces;
  • any later publication Work and the resulting publication occurrence;
  • deviations, failed relations, unsupported claims, and the next decision.

An artifact is not the performed Work occurrence. Publishing an artifact does not recreate that Work. Availability does not establish attention, response, recognition, selection, or cultural continuation.

If the intended Music-or-Dance Work did not occur or could not serve the intended use, return the missing condition, the use it blocked, and an observable condition for trying again. A cancelled performance, inaccessible stream, unusable recording, or unsafe floor can still support a useful next decision without being renamed a success.