Library / Music and Dance Practice Engineering Principles Framework
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Source changed 2026-10-03 08:25:59 UTC · snapshot created 2026-10-03 08:26:43 UTC · last check 2026-10-03 08:45:20 UTC

MDPE.15:11 - SoTA and Source Use

Source or maintained resultAdopted contributionBoundary
Current FPF C.11, A.15.2, C.24, A.15.1, A.3.4, A.2.8, A.2.8.PER, E.10.ROLE, A.2.1, F.6, A.6.RCD, E.23, A.10, and C.36Separate choice, plan, tool/call planning, performed Work, actual transformation, obligation, permission, role-word recovery, assignment occurrence, performed-Work attribution, missing-governor recovery, improvement loop, evidence reliance, and local versus cultural change.These patterns do not supply the changed Music-or-Dance subject, direct change Method, domain trial, or paired-domain result account; no listed pattern is a generic grant of agency or decision authority.
MDPE.6 source-grounded Music and Dance replaysFeasible revise before use and branch choices whose implementation and trial remain separate.The constructed identifiers and later Work are examples, not reported occurrences or transferable effectiveness claims.
MDPE.13 recognition-and-selection arrangement casesA possible-future description is terminal until another decision; a bounded feasible change decision can supply this pattern after authority, permission, and feasibility are checked again.Arrangement design, implementation, actual recognition or selection, and later cultural effect remain separate.
McCloskey et al., automatic arrangement for monophonic instrumentsA direct Music Method with explicit preserved and changed score characteristics and a feasible-result boundary.It does not establish rehearsal, balance, timbre, performer capability, concert use, or cultural effect.
Stopgap, Inclusive ChoreographyDirect Dance translation and inclusive-choreography distinctions that change movement, body, effort, cue, and source-return decisions.It does not establish one universal translation Method, one material identity, capability transfer, or scene recognition.
Shimon project sources maintained by MDPE.14Distinct engineering change, robotic performance, observation, and human-led practice-development roles.They do not support an unreported local change occurrence, robot-held development authority, Dance transfer, or cultural continuation.
COIN sensorimotor study and contextual cues and transition statistics, discussed in the Preface’s learning sectionA reason to test retrieval and transfer under changed cues and representative contexts rather than count repetitions in one setting.Human motor-learning evidence does not automatically transfer to every cognitive, robotic, or AI learner and does not establish transfer in the current case.

Mutable web-source claims are dated to 2026-08-26. Recheck only a claim that depends on a changed source, configuration, direct result, or current FPF relation. A new source does not reopen unrelated local-change accounts.