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Library / Music and Dance Practice Engineering Principles Framework
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Source changed 2026-10-03 05:29:54 UTC · snapshot created 2026-10-03 05:30:57 UTC · last check 2026-10-03 05:50:20 UTC

MDPE.7:11 - SoTA and Source Use

Source or maintained resultAdopted contributionBoundary
Current FPF C.11, A.19.CPM, A.15.7, A.15.2, C.24, A.2.8, A.2.8.PER, E.10.ROLE, A.2.1, F.6, A.6.RCD, A.10, and C.36Local choice, comparison, live next-action steering, planning, obligation/prohibition, permission/non-prohibition, role-word recovery, assignment occurrence, performed-Work attribution, missing-governor return, evidence, and local-versus-cultural relations.FPF supplies no generic authority relation by job title or assignment. Use the applicable direct authority governor or return its missing-governor result. These patterns do not construct the domain option families, Music-or-Dance ChoiceRule, or practitioner-facing next-development account.
Published MDPE results selected in §4.2Conditional inputs from creation, candidates, capability, configuration, enactment, performance, observations, changed-condition choice, conflict architecture, local change, alternatives, transmission, lineage, continuation, and trajectories.Adjacency and reader order supply nothing; each input is used only when its subject, conditions, and limits change the current choice.
Chédin et al., co-designing movement-generation models with Voguing and Dancehall dancersPractitioner collaboration, unlike model/interface variants, dancer-involving comparison, and bounded return to another design question.The study does not establish authority for platform release, define one universal Dance choice rule, or establish cultural adoption.
Timing examples in the Dance profile and the local Balboa casesPartner-readable timing, continuous carrier, articulation, p-centers, bodily criteria, and concrete next-trial questions.It is Method-design input, not a demonstrated capability result, authority source, or universal teaching sequence.
Shimon project sources maintained by MDPE.14Configured robotic Music performance, distinct human practice-development roles, and unlike technical, gesture, attention, noise, and musical criteria.The sources do not establish one general robot-development choice Method, Dance transfer, robot-held authority, or cultural continuation.

Mutable web-source claims are dated to 2026-08-26. Recheck the affected choice only when a source, configuration, direct result, option, authority relation, or intended use on which it relies changes.