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Embodied Rhythmics Principles Framework

14 patterns · 352 sections · 0.3 MB

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  1. Embodied Rhythmics Principles Framework
  2. Table of Contents
  3. Public units
  4. Part I - Find and shape the rhythmic relation
  5. Part II - Represent, compare and vary
  6. Part III - Arrange and coordinate performance
  7. Part IV - Practise, test and observe
  8. Embodied Rhythmics Principles Framework Readme
  9. Practical entries
  10. RHY-DIRECT-01 — Recover a duration lost in a change of notation
  11. Practical-Use Cards
  12. RHY-CARD-01 — Make a variation work with a partner
  13. RHY-CARD-02 — Turn a supported exercise into an available capability
  14. RHY-CARD-03 — Make a rhythmic practice available to its next users
  15. RHY-CARD-04 — Respond to a changing rhythmic practice
  16. Preface
  17. RHY.Preface:1 - Problem frame - Work with performed rhythm
  18. RHY.Preface:2 - Problem - The useful relation disappears between descriptions and actions
  19. RHY.Preface:3 - Forces - Preserve the relation at an affordable cost
  20. RHY.Preface:4 - Solution - Connect the contributions through their results
  21. RHY.Preface:5 - Archetypal Grounding - Connected uses and consequential returns
  22. RHY.Preface:5.1 - An ornament interrupts a partnered figure
  23. RHY.Preface:5.2 - A syllable sheet survives, but a phrase does not
  24. RHY.Preface:5.3 - More appearances do not yet explain a practice’s future
  25. RHY.Preface:6 - Bias-Annotation - What the examples and sources do not travel with
  26. RHY.Preface:7 - Conformance Checklist - Check the combination that is being used
  27. RHY.Preface:8 - Common Anti-Patterns and How to Avoid Them
  28. RHY.Preface:9 - Consequences - Useful corrections with bounded conclusions
  29. RHY.Preface:10 - Architectural Rationale - Why the methods are divided this way
  30. RHY.Preface:11 - SoTA-Echoing - Source contributions and their limits
  31. RHY.Preface:12 - Relations, source return and renewal
  32. RHY.Preface:End
  33. Part I - Find and shape the rhythmic relation
  34. RHY.1RHY.1 - Locate the Rhythmic Difficulty in a Performed Activity
  35. RHY.1:1 - Problem frame
  36. RHY.1:2 - Problem
  37. RHY.1:3 - Forces
  38. RHY.1:4 - Solution
  39. RHY.1:4.1 - Recover the failed contribution
  40. RHY.1:4.2 - Form the rhythm-specific alternatives
  41. RHY.1:4.3 - Choose a contrast that separates the alternatives
  42. RHY.1:4.4 - Select the next result, with its limits
  43. RHY.1:5 - Archetypal Grounding
  44. RHY.1:5.1 - A sound changes, and an entrance seems late
  45. RHY.1:5.2 - Known steps fail during a turn
  46. RHY.1:5.3 - A count no longer needs investigation
  47. RHY.1:6 - Bias-Annotation
  48. RHY.1:7 - Conformance Checklist
  49. RHY.1:8 - Common Anti-Patterns and How to Avoid Them
  50. RHY.1:9 - Consequences
  51. RHY.1:10 - Architectural Rationale
  52. RHY.1:11 - SoTA-Echoing
  53. RHY.1:12 - Relations
  54. RHY.1:End
  55. RHY.2RHY.2 - Select the Changes and Relations Needed to Understand a Rhythm
  56. RHY.2:1 - Problem frame
  57. RHY.2:2 - Problem
  58. RHY.2:3 - Forces
  59. RHY.2:4 - Solution
  60. RHY.2:4.1 - Start with the required discrimination
  61. RHY.2:4.2 - Identify what actually changes
  62. RHY.2:4.3 - Preserve the relations that affect the result
  63. RHY.2:4.4 - Try the selection against the question
  64. RHY.2:4.5 - Hand over a usable account
  65. RHY.2:5 - Archetypal Grounding
  66. RHY.2:5.1 - Equal interval counts, different entrances
  67. RHY.2:5.2 - A contact trace leaves out the load change
  68. RHY.2:5.3 - A smooth sound has a rhythmic shape
  69. RHY.2:6 - Bias-Annotation
  70. RHY.2:7 - Conformance Checklist
  71. RHY.2:8 - Common Anti-Patterns and How to Avoid Them
  72. RHY.2:9 - Consequences
  73. RHY.2:10 - Architectural Rationale
  74. RHY.2:11 - SoTA-Echoing
  75. RHY.2:12 - Relations
  76. RHY.2:End
  77. RHY.3RHY.3 - Shape Rhythmic Articulation while Preserving Needed Continuity
  78. RHY.3:1 - Problem frame
  79. RHY.3:2 - Problem
  80. RHY.3:3 - Forces
  81. RHY.3:4 - Solution
  82. RHY.3:4.1 - State what must continue and why
  83. RHY.3:4.2 - Identify the articulation and ways to produce it
  84. RHY.3:4.3 - Add one articulation and inspect both results
  85. RHY.3:4.4 - Test continuation under the needed variation
  86. RHY.3:4.5 - Carry the constraints into performance or practice
  87. RHY.3:5 - Archetypal Grounding
  88. RHY.3:5.1 - Two brush arrangements
  89. RHY.3:5.2 - An ornament inside partnered motion
  90. RHY.3:5.3 - Motion continues while a robot signals an accent
  91. RHY.3:6 - Bias-Annotation
  92. RHY.3:7 - Conformance Checklist
  93. RHY.3:8 - Common Anti-Patterns and How to Avoid Them
  94. RHY.3:9 - Consequences
  95. RHY.3:10 - Architectural Rationale
  96. RHY.3:11 - SoTA-Echoing
  97. RHY.3:12 - Relations
  98. RHY.3:End
  99. RHY.4RHY.4 - Distinguish and Align Timing Events in Rhythmic Performance
  100. RHY.4:1 - Problem frame

Showing 1–100 of 352 entries. Source edition 1f16950577d0.